DHERE DAN NAMANGNGU: ANALISIS BENTUK DAN STRUKTUR POLA RITME PADA PERTUNJUKAN PELEDO JARA

Abstract

Peledo Jara, an intangible cultural heritage that was born, lives and develops in the Sabu community. The study of dhere and namangngu rhythm patterns is the main focus of this research. Focusing on analyzing the form and structure of musical rhythm patterns produced by dhere and namangngu, this research will use a musicological and ethnomusicological analysis approach. The results of this research reveal that Dhere and Namangngu not only function as accompanying elements, but also as markers of formal and symbolic structures in the Peledo Jara performance. The findings show that the rhythm patterns used are closely related to social functions, cultural values, as well as the dynamics of interactive and collective performances. This research contributes to the preservation and in-depth understanding of Indonesia's traditional musical riches, while also opening up space for creative exploration in the development of contemporary music based on local cultural roots. This form of rhythmic music functions to provide energy and signals to the horse through sound symbols.  Thus, peledo jara music not only acts as an accompaniment, but also as part of the cultural identity of the Sabu Raijua people.